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Archives for 2015

A Meditation upon Things

2015/11/30 By Rob 2 Comments

A Meditation upon Things in which I will briefly speak of the Icelandic Parliament, “creature features” of the 1960’s, Cicero, Duke Ellington, Shakespeare and excessive pedantry.

The Wall Street Journal yesterday had a short piece by James R. Hagerty that raised my ire:  “Use More Expressive Words!” Teachers Bark, Beseech, Implore.   The article describes teachers who have banned certain words from student assignments, like “go,” “said” and “good” because they are considered insufficiently expressive.   This attitude is not new, of course.   It certainly existed when I was a young student.  I suspect it was first promoted by Peter Mark Roget’s publisher, to spur sales.

Among the condemned is the word “thing.”    I’d like to make a plea, if one can be entertained at this late date, for full pardon, and show that “thing,” like all words (even big words) can be used in insipid ways by mediocre authors, it is also capable of great delicacy, truly a word to be cherished, not discarded.

Let’s start with a simple, familiar example, the legendary song, “It don’t mean a thing (if it ain’t got that swing)” with music by Duke Ellington, words by Irving Mills.   How can one write this without using “thing” or “anything”?  We could try, “Your music will not have popular or critical acclaim if it lacks rhythmic syncopation in the current vernacular,” but this is hardly an improvement.

Of course, we don’t need to stray from the King’s English to have a fling with a thing.   The Bard himself used this forbidden word to good effect, in Julius Caesar, Act I, Scene 1, where Marcellus berates the hoi polloi for turning out for Caesar’s triumph: “You blocks, you stones, you worse than senseless things!”

It is worth mentioning, in passing, that Caesar himself would have been familiar with “thing” in its Latin form, “res”.   In Latin the term has a dual meaning, “thing” but also “affair” or “deed.”   So his adopted nephew, Octavian would later have inscribed in bronze his “Res Gestae Divi Augusti” (Things Accomplished of the Divine Augustus).   One of Caesar’s enemies, Marcus Cicero, wrote a book called De Re Publica or “of the public thing”, maybe better translated as “concerning public affairs” or, in the word as it has come down to us, “On the Republic.”

Some of that flavor lingers on in English today.  You might say you cannot accept an invitation because, “I have a thing next week.”  The British English (forgive the redundancy) “husting” (what Americans might call a “stump speech”) was literally the “house thing” or a small deliberative assembly.  In modern Icelandic (forgive the oxymoron) they have the Althing or “all thing”, their legislative general assembly.

“A thing may be incredible and still be true; sometimes it is incredible because it is true,” as Herman Melville said.   Well before Melville, and well after, things that go bump in the night have been called…well…things.

Consider Hamlet, Act I, Scene 1: “What, ha’s this thing appear’d againe to night?”   And then consider all the horrible horror movies that haunted movie screens (and UHF television channels) in decades long past, such as:

  • The Thing from Another World (1951)
  • The Thing That Couldn’t Die (1958)
  • Godzilla versus the Thing (1964)
  • Zontar: The Thing from Venus (1966)
  • The Thing with Two Heads (1972)

Thus the case for thing.  Perhaps you care to suggest some other examples that illustrate the versatility and vigor of “thing”?

There are other words that the pedants despise that I contrariwise cherish.  Perhaps, next time I will give a few thoughts on another word that has “the right stuff.”

Filed Under: Language

Eldnar Randle: Did he know?

2015/08/26 By Rob 2 Comments

Eldnar Randle was born in Delano, California in 1892 and died in 1973 in Oregon.  For most of his working years he was an auto mechanic. But he shared a distinction shared by only 1 in over 700,000 Americans. Any guesses? A clue:  Look closely at his name.

Yes, Eldnar Randle was given a palindromic name. It reads the same backwards and forwards. This phenomenon is quite rare. A search of the 88 million names in the Social Security Master Death File (SSMDF) shows only 119 cases, including:

  • Leon Noel (many examples)
  • Welles Sellew
  • Grey Yerg
  • Ekard Drake
  • Ronoel Leonor
  • Rello Oller
  • Nilrah Harlin
  • Nella Allen
  • Revilo Oliver
  • Ronnoc Connor
  • Folke Eklof
  • Marlys Sylram
  • Elah Hale
  • Gnal Lang
  • Lemar Ramel
  • Ecallaw Wallace
  • Rednal Lander
  • Ellen Nelle
  • Oirolf Florio
  • Italo Olati

The question that came to mind was, how many of these were intentional, picked by the parents specifically to be palindromes, and which ones were just pure chance? Given names are often picked to honor some relative, often a parent or grandparent. Picking an unusual name, never used in the family before, probably has a story behind it. Some of the names certainly look a bit far-fetched. Ecallaw Wallace? But others sound quite natural, like Nella Allen. And Eldnar Randle? It is hard to tell. Looking at the 1900 census I  see his father was a farm laborer and his mother a housewife. Both were literate. None of the other children had unusual names. But somehow he received the invented named “Eldnar.”

Riew Weir? No, I don’t think that would have worked.

Are there any other examples of world play in names that it is worth looking for among the 88 million names in the SSMDF?  Anagrams?  Something else?

Filed Under: Language, Puzzles

Analysis of World Chess Champion Opening Repertoires

2015/02/25 By Rob 6 Comments

A quick test run of the FactoMineR package for R.   This package focuses on multivariate exploratory data analysis, such as Principle Components Analysis (for numerical data) and Correspondence Analysis (for categorical data).

In an earlier blog post I took a look at a large collection of chess games and tried to quantify the “first move” advantage in chess, in terms of ratings.   This time I’ll use the same large database of chess games, and look at opening repertoires.  A chess opening is a set of moves that a player uses at the start of the game in an attempt to steer the game to positions familiar to the player, and which align with that player’s style and preferences.  Such openings have descriptive, often colorful names, like King’s Gambit, Sicilian Poisoned Pawn, or Nimzo-Indian Defense, as well as a standard code, from the Encyclopedia of Chess Openings, like B07, C44 and E80.   There are 500 such “ECO” codes, from A00 to E99.

I extracted games from all World Chess Champions, from Steinitz (1866) to Carlsen (2014) and calculated the percentage of the games for each player in each ECO code.   So each player’s opening repertoire is represented as a vector of 500 weights, summing to 1.0.   I then used FactoMineR’s PCA() method to extract principle components from this dataset.     The first two components extracted together represent around 42% of the total variance.

Plotting the Champions against these two dimensions shows some intriguing patterns, bringing together players by era:

wch

Further insights can be gleaned by plotting how these two components weight the various openings.   To make it easier to read I grouped some of the ECO codes and used descriptive names for the better-known openings.   From this we see that the first component appears to distinguish the player’s use of open games (1.e4 e5) in the positive direction versus semi-open and closed games in the  negative direction.   I’m having a harder time reading a real-world meaning into the second component.  Maybe a reader sees something here?

weights

Something to remember in all of this is that the choice of opening in a game is a result of the moves of both players.    Players try to influence the opening, steer the game toward their advantages and preparations and against those of their opponents.   But neither player has 100% control over the opening, aside with some fringe moves like 1. h4.   However,  players, especially world-class caliber players, do specialize in certain opening systems, and it is fair to speak of their repertoires.

 

Update:

The comment from Dana Mackenzie prompted me to try out another feature of FactoMineR, the ability to chart supplemental variables.  These are variables that are not used in doing the underlying PCA calculation but can be shown in the charts, to see how they align with the extracted components.  For example, I could add catagorical variable for each player to represent their nationality and then plot that, to see if there are national schools of practice regarding openings.  Or, as I’ll do here, add a year variable the year the individual won their world championship, to see how this aligns:

wch-yearWe can see by the length of the line here that the Year has a strong correlation with these two components, mostly with the 1st component.

 

Filed Under: Chess, R

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